From Red Scare to Despair: Hollywood Movies 1951 – 1962
This fall we’ll be taking a look at Hollywood films of the 1950s. We’ll be examining the period from 1947 through 1963. This includes the key era of film noir, the red scare era, and the later period which was a mini Hollywood renaissance of cinema. I recently discovered the films that have been labeled Film Gris, which are similar to Film Noir, except the films explore some of the underlying social issues of the era.
Hollywood faced new challenges in the 1950s. The HUAC investigations led to blacklisting of hundreds of talented people. Even worse, many entertainment professionals were forced to name others who attended the same political meetings with them back in the 1930s. The blacklist remained in force for most of the 1950s, losing momentum, and eventually being dropped altogether by 1963.
The studio troubles didn’t end there. Television exploded in popularity, decimating revenues, eventually leading to several major bankruptcies. The studios responded with new technologies, offering features such as wide screens, stereo sound, and vibrant color. Some trends, like 3D and Cinerama, didn’t last. Others became fixtures in our current home entertainment systems. Despite these difficulties, great movies from Hitchcock, Kubrick, Sirk, Minnelli, Wilder, Ray, Kazan, and others were produced. While highly entertaining, these films often contained political subtexts about gay rights, sexism, the blacklist, moral hypocrisy, and the horrors of World War II.
I’ve prepared a preliminary list of films. The main question I have is whether to show all the important classics of the era. You know, Hitchcock, and all that. We’ll try squeezing it all into eight weeks. If most people have already seen these big films too many times we can focus on the more obscure ones. I’ll try and skip the ones we’ve already seen and concentrate on more obscure films.
Registration is open at:
https://www.pcc.edu/schedule/fall/tra/9wv620c/?crn=45916
Here is a tentative list of some films being considered for this class:
- 12 Angry Men 1957 Sidney Lumet
- A Streetcar Named Desire 1951 Elia Kazan
- Ace in the Hole 1951 Billy Wilder, Kirk Douglas
- All that Heaven Allows 1955 Doug Sirk
- Anatomy of a Murder 1959 Otto Preminger
- Bigger Than Life 1956 Nick Ray
- Body and Soul 1947 Robert Rossen, Abraham Polonsky
- Born Yesterday 1950 George Cukor, Judy Holliday
- Breakfast at Tiffany's 1961 Blake Edwards
- Cat on a Hot Tin Roof 1958 Richard Brooks, Paul Newman
- Charade 1963 Stanley Donen
- Days of Wine and Roses 1962 Blake Edwards
- Dial M for Murder 1954 Alfred Hitchcock
- Force of Evil 1949 Abraham Polonsky
- Gentlemen Prefer Blondes 1953 Howard Hawks
- Imitation of Life 1959 Doug Sirk
- In a Lonely Place 1950 Nick Ray
- Invasion of the Body Snatchers 1956 Don Siegel
- Key Largo 1948 John Huston
- Kiss Me Deadly 1955 Robert Aldrich
- Night and the City 1950 Jules Dassin
- Night of the Hunter 1955 Charles Laughton, Robert Mitchum
- North by Northwest 1959 Alfred Hitchcock
- On the Waterfront 1954 Elia Kazan
- Pickup on South Street 1953 Samuel Fuller
- Psycho 1960 Alfred Hitchcock
- Rear Window 1954 Alfred Hitchcock
- Rebel Without a Cause 1955 Nicholas Ray
- Singin' in the Rain 1952 Stanley Donen, Gene Kelly
- The Asphalt Jungle 1950 John Huston
- The Day the Earth Stood Still 1951 Robert Wise
- The Little Shop of Horrors 1960 Roger Corman
- Underworld, U.S.A. 1961 Samuel Fuller
- Vertigo 1958 Alfred Hitchcock
- Written on the Wind 1956 Doug Sirk